Eagles of Death Metal rock Paris in emotional return

In a concert that may go down in rock history, the US band Eagles of Death Metal did their damnedest to exorcise the horror of the Bataclan massacre as they played in front of its survivors in Paris on Tuesday.

Despite fears the concert could bring back the trauma of November's slaughter in which 90 people died, the group whipped the crowd into a frenzy of joy, with fans embracing each other in tears at the end.

Eagles frontman Jesse Hughes bounded off the stage to hug a survivor in her wheelchair, as the night wore on and the emotion grew.

The ultimate rock showman, who smashed his guitar on stage at one point to wild applause, had choked up the night before had earlier said how he feared "falling to pieces on stage".

In the event, he turned in a bravura performance that many fans hailed as his best.

Deafening cheers and applause rang out as the group began their set, with many survivors -- including the band -- hoping the gig would help them turn the page on their ordeal.

Rich in symbolism, the Eagles appeared to the playback of an old song "Paris s'eveille," "Paris Wakes Up," a portrait of a city about to begin a new day by French singer Jacques Dutronc.

The band then tore into a favourite song, "I Only Want You," but stopped halfway.

"Let's take a moment to remember, then we will get back to the fun," said drummer for the night Josh Homme, Hughes' best friend and lead singer of Queens of the Stone Age.

Eagles of Death Metal was playing at the Bataclan concert hall on November 13 when jihadists opened fire on defenceless fans.

There were no scenes of panic, although Emmanuel Wechta, who is on crutches because of his wounds, said: "I did look at my watch after 40 minutes, which was when the killers came into the Bataclan, but it was fine.

"I wasn't there for therapy but to enjoy myself and that I did. I really succeeded in letting myself go," the 42-year-old said.

But 26-year-old Alexis, who survived the massacre by playing dead for two hours, had a more troubled night. "About three-quarters of it was very hard for me. I was sitting beside the injured on the balcony three metres from an exit, but I stayed.

"The thing that I found most difficult was the snare drum, which made me think of the sound of the shooting at the Bataclan.

"But in the end it was a very positive evening -- I succeeded in going out to a concert," he said.