On air
  • RFI English Live
  • RFI French Live
rss itunes

CINEFILE January 2019 Another Day of Life and Les invisibles

By Rosslyn Hyams

In January, Cinefile takes a closer look at Les invisibles, The Invisible People, an artistic gesture of social realism to foster a sense of resistance against inhumane pragmatism, while a docu-drama Another Day of Life combines highly-colourful and imaginative animation, historicial documents and recent interviews in a tribute to the work of reporter Richard Kapuczinski during the Angolan War.

RFI's Rosslyn Hyams hosts guest directors Louis-Julien Petit and Raul de la Fuente.

Corine Masiero who plays Manu, the manager of the womens' day-time shelter says  Les Invisibles, a film with a balance of gravity and humour, is a political film.

“Manu starts out with setting up a humanist centre. When she loses official support, she says, OK, I’m going to take this on my own shoulders. It’s what people around us today are doing to oppose the agro-food heavyweights, or they flout laws to help migrants and refugees. You get to a point where you have to move your arse, no matter what. Julien-Louis Petit’s film tells politicians that, hey, enough, we the ordinary people are doing what we can. Now it’s time you found solutions.”

Click on the link to listen to the interview.

In which... Denis Lavant talks about Alverson's 'The Mountain', Lav Diaz about 'The Halt'

Nadav Lapid's Synonymes and Alvaro Brechner's A Twelve Year Night

January Special : French film Kabullywood harnesses youths' hunger for arts

Love smoulders in Cold War and embers refuse to die in L'amour Flou

Young men make tough, clear choices in 'Shéhérazade' and 'Sauvage'

Martel's colonial, absurd and splendid 'Zama' and Silver's rare Franco-US coprod 'Thirst Street'

Lav Diaz's dark Season of the Devil, Samuel Collardey's luminous A Polar Year

Cannes Film Festival awards and The Extraordinary Journey of the Fakir

Is Gemma Arterton a happy woman; Walid Mattar follows the Northern Wind

The Prayer; The International Paris documentary film festival

Two wrongs don't make a right in the tense movie, The Insult

A unique look at war in Philippe van Leeuw's In Syria and Raoul Peck's lesser-bearded The Young Karl Marx